Hurston supplements.

Zora's Roots.
The new documentary, Zora's Roots, pays tribute to the most prolific woman writer of the Harlem Renaissance. The film traces Hurston's life and work from her childhood in the all-black township of Eatonville, Florida, to her days as a Barnard student in New York City, to her anthropologic field work in Honduras and Haiti, and eventually back to Florida, where she died penniless and was buried in an unmarked grave.

During the Roaring Twenties, Hurston was central to Harlem's evolving literary scene alongside Langston Hughes and Wallace Thurman. She was Barnard College's first black graduate, and her studies in anthropology contributed to a lifelong exploration of language, culture and the African American experience. More than 40 years after her death in 1960, Hurston's writing remains an integral piece of America's literary fabric. In addition to her novel Their Eyes Were Watching God, which has been cited as one of the 100 greatest literary works of all time, she is renowned for her journalistic, cinematic and non-fiction work.

"Zora['s] courage and determination to look at black culture with an analytical eye enabled her to express so beautifully the richness of the culture, its complex history and diasporic nature." said Barnard English Professor Monica Miller, who appears in the film.


Hurston Plays at the Library of Congress.
The Zora Neale Hurston Plays at the Library of Congress present a selection of ten plays written by Hurston (1891-1960), author, anthropologist, and folklorist. Deposited as typescripts in the United States Copyright Office between 1925 and 1944, most of the plays remained unpublished and unproduced until they were rediscovered in the Copyright Deposit Drama Collection in 1997. The plays reflect Hurston's life experience, travels, and research, especially her study of folklore in the African-American South. Totaling 1,068 images, the scripts are housed in the Library's Manuscript, Music, and Rare Book and Special Collections divisions.